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July 26. 2000
They say the third time is the charm.
Not this time. It's the second.
Just
a few weeks ago Damon Abacherli first mentioned to me that a
user group for LA FCP folks might be a good idea. After all,
we're in the entertainment capital of the world, lots of really
talented people live here and use FCP, and it would be a good
excuse to get out of the house, away from the computer, meet
a few people, and go drink some beer. What we didn't realize
was that
there were hundreds of people in LA who wanted to do the same
thing. Well, not the beer part maybe,
but the part about meeting and greeting and sharing the FCP experience.
So...we are now official. We are the Los Angeles Final Cut Pro
User Group and we have 163 members and we are growing. Fast.
And 56 of those 163 showed up for our 2nd general meeting held
now and for the future, (through the generosity of Lowell Kay)
at the Dr Rawstock
Digital Training Facility
in, where else, Hollywood.
Our
meeting accommodated just fifty people, and as there were 56
people, it was standing room
only. Even our new treasurer and 'crack' sign in and raffle ticket
taker, Ned Soltz, who can apply a choke hold as well as any WWF
wrestler couldn't keep the FCP faithful out.
Meeting
was called to order at 7:30PM. I made a few announcements about
the group, mentioned that we now have a domain name, (we are
now www.lafcpug.org and looking for a web host) that we are looking
for a logo for our group, (thanks Adrienne Statti for your work,
so far) and we might have to start charging a membership fee
to handle expenses as they occur. This last item was met with
a silence the likes I have not heard since I told my Wife I was
starting a FCP User Group.
I
then introduced a few special guests who were in the crowd and
urged the members to chat it up with them after the meeting as
these guys were doing pretty cutting edge stuff. Michael Alberts,is
editor on the feature film "Nicholas", directed
by Pete Shaner, and shot on the new Sony/Panavision 24P High
Definition camera. This is the first feature shot on that cam,
and Michael later stood up and debunked a few myths about High
Definition movie making. (Ya still need a full crew, folks) He
also graced us with a six minute trailer of the movie which sure
made me want to go see it.
Bert Glatstein and Dan Forte (SP) were there. They both are editing
movies on FCP for the cable network, Showtime. They even got
iMacs in the works there. Wish I had time to talk to them. I
know they have some good stories to tell.
Ramy
Katrib
from DV Filmtree
was introduced and later took his Film-to-DV-Film-Logic-EDL-cut-have-no-idea-what-I'm-talking-about-thingy
upstairs and showed the more technically knowledgeable of the
crowd how to save lots of money and make cutting film work on
a low cost NLE system such as FCP. I think. Write Ramy and then
get back to me and explain. It was interesting, whatever it was.
Our
first "show and tell" was announced and it couldn't
have been better. Director Chuck Braverman showed and told of his multi
part documentary for the Discovery Channel called "High
School Boot Camp," which he shot himself, with assist from
his girlfriend, and is editing (Rebecca Harrell is editor) on
FCP. If anyone is having trouble with their teenage children,
"High School Boot Camp" will keep em home. Great looking
and heart breaking, and Chuck knows how to project.
Up
next was R/kaine Blaze
who shot and edited and showed us a rough cut of an episodic
piece he labeled "Urban Noir." With an 'in-your-face'
music score written by R/Kaine and a beautiful young woman doing
her damnedest on a chair and a wall, this piece, shot on a ZR10,
proved you can never have to much furniture, and if you allow
yourself a moment to think, you just might find yourself in a
better place. Cool stuff.
Special
guests Ron Margolis and Steve Martin, better known as the DV Guys
brought their show to our gathering. Ron, cranked up the DV Guys
theme song and let it play till we cried "Uncle", gave
a quick tour of what the DV Guys web site is all about, and gave
us all an earful on the magic of QuickTime streaming and broadcasting.
Steve Martin, arguably one of the premiere FCP gurus in the country,
gave us a few tips and tricks and wowed the crowd with the "view
by icon in browser tip." (did ya know that if you view your
clips by large icon in the browser, you can re arrange them in
any order, highlight them all, and upon dropping them in the
Timeline they will all fall sequentially in the order of your
arrangement.? Well now you do.) Thanks Steve. You are a lot of
fun to watch and I hope you come on back for more tricks and
tips. Some folks still don't know how to call the Yak.
We then broke for 15 minutes of refreshments and schmoozing,
which was a real good idea about then, as we had all been sitting
for an hour, and everyone's butt hurt, and all our eyes were
permanently fixated by the constant flashing from Ken Stone's
camera. Of course Ken followed us out to the lobby and kept snapping.
But he IS our historian and web master dude, and we love him.
Thanks Lowell Kay for the drinks.
Upon return, we got right back into what everyone seems to enjoy
the most , 'Show and Tell'. Michael Alberts, who I have already
told you about, showed his clip. Andrew Balis, AKA Randy
B
got up and declared "film is not dead" and proved it
with a killer trailer from the movie, "The Curio Trunk"
directed by Duane Stinnett and photographed by Andrew. A dark
moody piece about something wicked in a trunk, Andrew showed
us that not only is he a fine DP, but a damn good cutter too.
Kevin Monahan,
AKA as Telly, flew in from San Francisco and arrived moments
before the meeting started. He brought a clip that showed us
talent and FCP can turn some of those cheesy wipes and filters
into a thing of art. This was one of those pieces that begged
a 30 minute Q and A beginning with 'how did you do that' and
ending with, 'I didn't know you could do that?' After the meeting,
Telly grabbed one of the 10 FCP workstations, and gave a "how
to" to some of the people interested.
A lot
of you know that I am a big fan of DV
Companion
I think it is the finest helper tool since the automatic clutch.
So it was with great pleasure that I introduced Philip
Hodgetts,
team leader of DVC, who flew in from Australia just to attend
our gathering. OK, so he had a meeting in San Diego too, but
we got to see him in person and our members got an eyeful of
what I have been talking about all these months. Version 1.2.5
of DVC includes all the revisions of FCP 1.2.5 as well as the
most wanted and posted topic on 2-pop, AUDIO FILTERS, what in
the hell do they do? With DVC 1.2.5, we now know what they do
and how they work. Sing Hallelujah!! Unfortunately I could only
give Philip 15 minutes to show the folks his baby. Philip wants
your feedback, so write him with any questions or ideas.
Our now world famous raffle rounded out the evening. Lowell
Kay
donated Dr Rawstock hats and a really cool Canvas bag. Ralph
Fairweather of 2-pop.com
donated 2 t-shirts. Promax donated
several Lisa Brenneis books. And our grand prize, donated by
Intelligent
Media
"FCP A-Z", a 3 tape instructional video on everything
Final Cut Pro. Jeannette Dubois, last months big winner of a
copy of Final Cut Pro, and luckiest person alive, pulled the
tickets out of the hat.
Winners
included: Ned Soltz - who kept winning everything until we had
to drag him out of the room.
Ralph Fairweather
Phil Nee
Ron Shaw
Dan Brockett
and Douglas Seelig, the winner of A-Z
My apologies for not including all the winners. If your name
isn't on here, write me and we will post it on the web site.
After the
meeting folks went their separate ways. Some went upstairs to
one of the FCP edit suites to watch Rami do his thing. Others
hung around to ask questions of the many gurus milling about.
Others just talked shop. Me? I smiled a lot.
It was a great evening with great folks and I don't know how
we will top it next month. But we'll try. Next month we move
upstairs and we'll be able to accommodate ninety people. Thats
a good thing, cause we have good things planned.
See ya next month and bring us your clips for Show and Tell.
Michael Horton
"HeadCutter"
lafcpug
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