Make
sure you have the right system
Don't
upgrade to Final Cut Pro 4 if your system is not up to specification.
Final Cut Pro 4 has much higher system requirements than any
earlier version. You cannot upgrade if:
- You
have a G3. Final Cut Pro 4 requires a G4 at least 350 MHz, although
in reality you will want a faster G4 than that. The 350 MHz G4
is the slowest G4 ever released.
- Soundtrack
and RTExtreme require a G4 500 MHz single or a 450 MHz or better
dual processor. To use these slower computers you'll need a system
with at least 1 MB of level 3 cache. You also need an AGP graphics
card.
- On
a PowerBook you'll need a 667 MHz processor better to run RTExtreme
and Soundtrack.
Don't know if your computer is up to spec? Check the details of your specific model at http://www.info.apple.com/support/applespec.html#desktop before you upgrade.
Final
Cut Pro will run on a system with only the bare minimum G4 but
you won't be able to get RTExtreme or Soundtrack to run without
the higher processor speed, AGP Graphics card and Level 3 cache.
These are crucial to the enhanced performance of RTExtreme. Although
Final Cut Pro has used the graphics card for some functions in
the past, they have been mostly display related, which is why
the Canvas and Viewer must be on the Apple supplied graphic card,
not one in a PCI slot. With Final Cut Pro 4 even more of the
processing power of the graphics card is used.
Don't
upgrade to Final Cut Pro 4 if you are not running OS X 10.2.5
or later
or cannot run QuickTime 6.1 or later due to some legacy application.
Final Cut Pro requires the improvements in OS X 10.2.5 and QuickTime
6.1. QuickTime 6.3 is recommended and will be installed with
Final Cut Pro 4 if not already installed. If you need to run
an earlier version of QuickTime, you cannot install Final Cut
Pro 4.
If
you need to upgrade your operating system, see the instructions
below.
Don't
upgrade to Final Cut Pro 4 if you do not have at least 384 MB
of RAM
- that's the absolute minimum. In practice, don't upgrade if
you don't have at least 512 MB of RAM. OS X loves RAM and its
performance will improve with more RAM. RAM is so cheap these
days that there's no reason not to have at least 512 MB of RAM.
Don't upgrade to Final Cut Pro 4 if you do not have at least
10 GB free on your internal system drive if you want to do
a default install. You will require that amount for the full
install of LiveType fonts, textures and objects. See later in
this article for options if you do not have that much space available.
Soundtrack Loops can be installed on any convenient drive, but
LiveType's data will install on the internal drive by default.
If you do not have sufficient internal drive space, do not worry,
there is a workaround that lets you put LiveType data anywhere
you want. See the area later in the article.
Don't
attempt to upgrade to Final Cut Pro 4 if you do not have a DVD-ROM
drive.
The installers and data are provided on 4 DVDs with a 5th disc
for Bias Peak. No DVD-ROM drive, no Final Cut Pro 4. The drive
does not have to be internal or Apple supplied and it does not
have to be a Superdrive (DVD-R). It just has to be capable of
reading a DVD-ROM disk for installing.
Note: If you borrow an external FireWire DVD-ROM drive for the
install be sure to install all the LiveType and Soundtrack Loops
during the initial install. If you have a built-in DVD-ROM drive,
or own an external FireWire DVD-ROM drive then you can install
LiveType data as you use it. LiveType installs proxy/preview
files during the initial install and will requires the install
DVD-R when you render or generate a preview if it does not have
the data file installed.
Do
install Final Cut Pro 4
if you have a computer with the required system configuration.
As always with digital video software, a faster processor with
a fast graphics card and lots of RAM is preferred. Hard drive
speed will also affect the amount of RTExtreme you will get with
your system: dedicated SCSI RAID drives will let you get more
real-time than with simple ATA internal drives or FireWire drives.
Preparing
to Upgrade
Upgrading
to Final Cut Pro 4 is the easiest part - put the DVD-R in, run
the installer, enter your registration details and run the installer.
Optionally install the Soundtrack and LiveType data. More information
on installing Soundtrack and LiveType data is to be found later
in this article.
IMPORTANT: If Final
Cut Pro 4's installer detects an existing OS X install on your
system you will not require your earlier serial number. If there
is no Final Cut Pro install on the computer you will be prompted
to enter the serial number of your earlier version during the
install. It is not necessary to have an earlier install in order
to upgrade but you will need the full serial number. (The display
on startup is missing the last three digits so you will need
to find your original serial number from the documentation.)
You
will need your OS X Administrator's password to install new software.
That's
the simple part. Unless you're really prepared to upgrade it
might not go smoothly and you'll regret it. Successful upgrading
is in the preparation, and the sequence of events is very important.
This is particularly important if you are going to upgrade to
OS X 10.2 for the first time.
In
these follow items I'll be ranking the steps according to this
scale:
- (****)
-
These
are items you must to do successfully install Final Cut Pro 4
- like actually install the upgrade!
- (***)
-
Are
items you should do they are highly recommended.
- (**)
-
A
wise person would do items marked with two bullet points, but
if you're really in a hurry and feeling lucky, you can skip over
this step without any consequences.
- (*)
-
If
you really want to be as sure as possible that you'll avoid all
problems, do this step as well. Most people will not do this
step and won't be affected by it. It is only for the paranoid.
To
be honest, I did my upgrade with the 3 and 4 bullet point items
only and have had no problems in the weeks I've been using Final
Cut Pro 4.
When
to Upgrade
The
best time to upgrade is not the very moment you get the box from
Apple or from your dealer! You should upgrade when you have no
project under way and when the Media Drives are empty.
Since
that's set of circumstance are almost never likely to happen,
at least wait until you are between projects. Final Cut Pro 4,
like earlier versions, is backward compatible. Project created
in version 3 or earlier will open in version 4.
IMPORTANT: Projects
from version 4 will not open in any earlier version. Before opening
a Project in version 4, save a copy of the file and label it
as version 3. That way you will be able to return to version
3 should there be a reason, however unlikely that is.
I
recommend keeping version 3 of Final Cut Pro on you drive if
you have it already installed and use it to complete any current
projects that were started in Final Cut Pro 3. There are some
subtle changes to the data that is stored with a Clip in Final
Cut Pro 4 that will not be present for a Project started in Final
Cut Pro 3. That said, I have successfully worked on many projects
from Final Cut Pro 3 in Final Cut Pro 4 but I have not attempted
a batch capture of those projects. I have expect batch capture
of an Final Cut Pro 3 Project in Final Cut Pro 4 will work at
least as well as it did in Final Cut Pro 3, probably better,
but I haven't needed to capture during the time I've been working
with Final Cut Pro 4.
(*)-
Backup your System (internal) hard drive & Reformat the drive
(for the most cautious only)
This
is NOT recommended. OS X, being a Unix based system does not
need periodic re-installs. I do not recommend wiping the hard
drive clean and reinstalling the operating system. These instructions
are for those who feel they have to go down this path. I repeat
it is not recommended.
IMPORTANT: This
will delete all information off the internal drive. Be sure to
back up all other data - Projects, documents, graphics etc -
and have all install disks for your software available after
you reformat the internal drive.
Backing
up an OS X system folder is not as easy as it was with OS 9.
OS X has tens of thousands of invisible files that are not copied
unless you use a piece of software called Carbon Copy Cloner.
It's a free utility available from
http://software.bombich.com/ccc.html. Use Carbon Copy Cloner
to make a copy of your System Folder or Partition to a FireWire
drive. You might run Repair Permissions on the System disk first.
To
repair permissions,
run the Apple Disk Utility normally found in System>Utilities
and choose the First Aid Tab. Select the OS X boot volume in
the list at the left (the actual named volume, not the device)
and click Repair Disk Permissions. Let it run until it is finished.
- Use
Carbon Copy Cloner to make a clone copy of your System partition.
- Leave
the FireWire drive connected and, in the System Preferences,
Startup Disk pane, select the FireWire drive as your startup
System.
- Reboot
off your new System on the FireWire drive.
- Reformat
the main hard drive. Use the Disk Utility and choose the Erase
Tab to reformat.
- Re-install
the Operating System from the OS X 10.2 install disks.
- Reboot
to the new, clean Operating System.
- Run
Software Update from the System Preferences, Software update
pane and accept all operating system updates. Keep running Software
Update until there are no more system updates available.
- Create
a new user for yourself (and as many other users as you require).
Use Carbon Copy Cloner to copy the contents of your user folder
back to your user folder. Copy the contents of the user folder:
Documents, Desktop, Picture etc, NOT the user folder.
You
are now ready to proceed with the install. If you are this cautious
you will want to install Final Cut Pro 4 and make sure it is
working for a week before you start installing additional software.
(***)
- Run Repair Permissions
Before
installing your Final Cut Pro 4 update and associate programs,
run Repair Permissions from the Disk Utility.
To
repair permissions,
run the Apple Disk Utility normally found in System>Utilities
and choose the First Aid Tab. Select the OS X boot volume in
the list at the left (the actual named volume, not the device)
and click Repair Disk Permissions. Let it run until it is finished.
(****) - Backup your Projects folder
There
are two reasons to back up your Projects folder, particularly
your Final Cut Pro projects. The first reasons is so you'll have
a backup if anything goes wrong, but the second reason is that
Final Cut Pro 4 will update the Project file so that it will
no longer open in Final Cut Pro 3 or earlier. Having a backup
means you can go back.
I
should explain that I do not believe there will be problems,
but when it comes to my hard work I'm a 'belts and braces' kind
of guy - just in case the belt breaks, I've got the braces to
hold up my pants!
(**)
- Create a copy of your Favorites to get them to Final Cut Pro
4
Favorites
are saved with Preferences. Final Cut Pro 4 will not share preferences
from Final Cut Pro 3. Both applications retain their own preferences
so they can continue to work in parallel. In order to make your
Final Cut Pro 3 Favorites available for Final Cut Pro 4 you'll
need to use this workaround.
Create
a new Project in Final Cut Pro 3 and call it something like "Favorites
Exchange". You'll need some Clips but in reality a Slug,
a Gradient and something with audio will be fine. What you'll
need depends on what Favorites you have.
Filters: Add all
your favorite filters to one Clip. It can be in a Bin, the Browser
or a Sequence, doesn't matter. If the Clip has audio it will
take all your audio and video favorites.
Transitions: Alternate
a Slug and a Gradient Clip in a Sequence and add one favorite
transition each time they meet, until you've applied all your
favorite transitions.
Motion
Tab Settings:
Add one motion tab setting to each Clip - those Clips in the
sequence that you've used for your Transitions favorites would
be good candidates. You can only have one set of Motion tab settings
per Clip, and they're the most work to restore so only keep the
ones you really need - but it's not that difficult.
Save
the Project and you're done.
(****) - OS X 10.2.5 Upgrade and Update
Before
you can use Final Cut Pro 4 you must have updated to OS X 10.2.5
or later. OS X 10.2.6 is safe to user with Final Cut Pro 4. If
you do not already own OS X 10.2 you will need to purchase the
retail upgrade and install it.
RECOMMENDED: Use the Archive and Install option in the OS X 10.2
installer to keep a "safety" copy of the pre-install
hard drive just in case you have a problem. Problems are not
common and should not be expected.
OS
X 10.2 is a completely new operating system, despite the apparent
incremental naming.
Once
OS X 10.2 is installed, there are 3 more steps required to prepare
for Final Cut Pro 4.
- Open
system Preferences and click on the Software Update icon. Install
any updates you are offered.
- Restart
and check for additional updates, repeating until all updates
are installed. This will bring your system to OS X 10.2.6 or
later.
- Once
you have finished your OS X updating, run Repair Permissions
again.
To
repair permissions,
run the Apple Disk Utility normally found in System>Utilities
and choose the First Aid Tab. Select the OS X boot volume in
the list at the left (the actual named volume, not the device)
and click Repair Disk Permissions. Let it run until it is finished.
Upgrading
(****)
- Install Final Cut Pro 4
Finally
you're ready to install Final Cut Pro 4.
Put
the DVD in your DVD drive and do a standard install. You can
only install to the OS X boot disk.
If
Final Cut Pro 4's installer detects an existing OS X install
on your system you will not require your earlier serial number.
If there is no Final Cut Pro install on the computer you will
be prompted to enter the serial number of your earlier version
during the install. It is not necessary to have an earlier install
in order to upgrade but you will need the full serial number.
(The display on startup is missing the last three digits so you
will need to find your original serial number from the documentation.)
The
standard install will install:
- QuickTime
6.3,
- Final
Cut Pro 4,
- Soundtrack,
- Cinema
Tools,
- LiveType
and LiveType's previews for Textures, LiveFonts and LiveObjects
- Compressor,
and
- Pro
Services - the XML services that let the ecosystem applications
talk to each other.
A
restart is required after installing.
(***)
- To install or not install - LiveType data and Soundtrack Loops?
After
upgrading Final Cut Pro will prompt you to install the Soundtrack
Loops and LiveType data by running the installers on those DVD-Rs.
This will take up 12-13 GB in total, and the LiveType data must
install on your internal hard drive, in Library>Application
Support>LiveType.
You have options. You do not necessarily have to install everything
at once and you do not have to use the default locations.
(***) - Soundtrack Loops
Soundtrack
Loops can be installed anywhere, so feel free to install them
on an external drive or convenient location in your internal
drive, wherever you have space. Soundtrack will index the files
when you add the location. You add the location by clicking into
the Search Tab inside Soundtrack and then click on the Setup
button. A window opens where you can add an additional directory,
or remove directories. When done, click on Done and Soundtrack
will index and remember the location.
- Tip: All Loops
compatible with Sonic Foundry's Acid are also compatible with
Soundtrack. There are many sources of Loops in a variety of collections.
(***)
- LiveType Data
LiveType
data takes up a lot of space if it is fully installed - around
8 GB in total. If you have plenty of space on your internal drive
you can do the default install and not worry. Otherwise choose
one of these two options. They are not mutually exclusive.
- 1)
You can install only the material you want, as you want to use
it. I would recommend NOT installing all the LiveType data unless
you have plenty of disk space. If a LiveFont, Texture or LiveObject
are not installed you can still preview them in the Media Browser
and apply them to a track. You can click on the "Install
LiveType Data" button in the Media Browser (at bottom left)
or you will be prompted to insert the appropriate LiveType install
disc when you attempt a render or a preview.The file will be
installed then. It means you have to keep your LiveType install
discs handy.
- 2)
Create a folder where you want to store your LiveType Data -
on a FireWire drive, or internal drive that isn't the boot drive.
This folder must be called "LiveType Data" (without
the quotes). Create an alias of the folder and put it inside
drive>Library>Application Support> LiveType. If the
folder has the word "alias" remove it from the name
and remove the space at the end. The alias must be called "LiveType
Data" without the quotes.
Now
any data that's installed, either as a complete install or an
'as needed' install, will go to the external location but be
fully accessible from within LiveType.
(**) - Update your Media Drives to HFS +
If
you have been running OS X you will have already had to update
your Media Drives to HFS + a.k.a. Mac OS Extended. OS X will
not recognize the older format. You will need to reformat any
drives that have not been updated. Use the Disk Utility and choose
the Erase Tab to reformat.
After
Upgrading
Repair
permissions.
Run the Apple Disk Utility normally found in System>Utilities
and choose the First Aid Tab. Select the OS X boot volume in
the list at the left (the actual named volume, not the device)
and click Repair Disk Permissions. Let it run until it is finished.
Install
3rd party drivers
If you are working with a hardware unit then you should install
the drivers for the hardware. After installing it would not hurt
to repair permissions again.
Test
Final Cut Pro 4
First
things first. Test Final Cut Pro 4. Start a new Project, assign
Scratch Disks and do some test captures. Add Clips to a Timeline
and render some effects and transitions and test any G4 real
time preview effects. Be sure everything is working as intended
before going beyond this point.
Do
the LiveType, Soundtrack and Compressor tutorials to make sure
they are working as expected.
Work
with Final Cut Pro 4 for a couple of weeks or at least a few
days before adding other applications. Extensions and Control
Panels back. Most people can't live with this option (myself
included) but hold out as long as you can to prove that all is
working well before adding additional software. This is overly
cautious and you can continue working with your new software
immediately.
Restore
your Favorites
Open
the Favorites Exchange Project in Final Cut Pro 3. It will update
the Project format when opened. You want it to do this. Once
open, restore your favorites by:
Filters: Open
the Clip with the Filters applied, in the Viewer. Select the
Filters - all of them if you like - and drag them to the Favorites
folder. They'll be immediately added with the original names.
Transitions: Open
the Sequence that has the Clips with the Transitions between
them. Drag each Transition to the Favorites Folder. It will be
added with the original name.
Favorite
Motions:
A little less easy but not too bad. Open each Clip in the Viewer
from the Timeline in turn. While the Clip is in the Viewer, choose
the Make menu and select 'Favorite Motion'. The Motion Tab settings
will be saved as a Favorite Motion again, under the name of the
Clip so you'll have to rename the Favorite Motion again, but
that's easier than redoing the settings, including any keyframes
you might have had.
And
if it doesn't go smoothly?
So
far the only report of an install problem has been a DVD-R for
LiveType that would not install correctly. The solution is to
simply drag the files from the DVD-R to the hard drive. The files
are not encrypted or in the package. Double click on LiveType
Data and you will find all the files on the DVD-R. Copy the files
to the default or your chosen location.
One
person has reported that Final Effects Complete appears not to
be compatible with Final Cut Pro 4. That has not yet been confirmed.
But
it will go smoothly, and you'll love Final Cut Pro 4 and it's
ecosystem.
Philip@IntelligentAssistance.com
Philip
Hodgetts is the author of the The Intelligent Assistant for Final Cut Pro
and co-developer of the Intelligent Assistance approach to "Training
when you need it: just enough, just in time, while you work."
Other Final Cut Pro products include The Troubleshooter for Final
Cut Pro and GREAT visualFX for Final Cut Pro #1.
Philip has had his own video production
company since 1980 and worked on everything from long form documentary
to corporate video to national TV commercial (Australia) with
a strong emphasis on education and training video production.
Having worked with Non-Linear Editing since 1994, Philip fell
in love with Final Cut Pro when he saw an early alpha at NAB
in 1998. He recognized the potential and has worked with Final
Cut Pro since before it's formal release in 1999.
As well as continuing (yes, still continuing)
to edit a documentary 'trans-Pacific' from Los Angeles by sharing
Project files with a producer in Sydney, he is currently busy
updating the The Intelligent Assistant for Final Cut Proto add
in all the new features of Final Cut Pro 4 and to develop other
Intelligent Assistants for LiveType, Compressor and Soudtrack.
In his business life he's developing the concept of Intelligent
Assistance even further and in his spare time developed an new
concept in 'documentary' deliver for demonstration at QuickTime Live in February 2002. Every Thursday 6pm Pacific Philip co-hosts an Internet talk show for digital stortellers called DV Guys.