Review: Light
and Motion Sunray 2000 Video Lights |
July, 2008
Light
and Motion Sunray 2000 Video Lights
http://uwimaging.com
"Sunray 1000" $2,599.00
- "Sunray 2000" $3,799.00
Review by Steve
Douglas
Filming underwater has most of the very same requirements as
does shooting topside. Composition and framing is equally as
important and lighting can be as tricky as it can sometimes be
when shooting either in the studio or under the sun. Unfortunately,
when shooting underwater there can be even more issues to contend
with. As we dive deeper into the oceans colors dissipate. Once
we drop below the first atmosphere (33 ft) the reds and yellows
disappear, this is followed by the blues bidding adieu until
all we have left is an indistinct gray/green. However, the underwater
filmer can bring back all the colors easily enough by the use
of underwater lights. Early diving lights were usually halogen
lights and while this certainly improved things, their low color
temperature, usually at around 3400k failed to bring back all
the colors there were to be seen. These were followed in the
industry by HID lights with color temperatures between 5900 and
6200k which certainly improved things. However, when used filming
at night, they often added a bluish tinge to video. I frequently
would travel overseas with 2 sets of lights, a pair of halogens
to use during the evening shoots for the warmth they brought
to a shoot and a set of HID lights for daytime usage. This leads
us to a new generation of video lights for underwater use.
The Light & Motion
Sunray 2000s here shown with the water tight battery pods which
connect to the camcorder housing.
Light and Motion truly has lit the way with their new 2000 Video
Lights. Previously, concerns with most video lights have focused
upon the short burn times, the slow build to full power of HID
lights, and uneven light spread and hotspots of many lights used
for filming. Light and Motion has dispelled the need for any
of these concerns with a timely offering of both the Sun Ray
1000 and 2000 Lights. The Sunray 2000 lights produce 2000 lumens
per light at the high setting, 1000 lumens at the medium and
500 lumens at the low setting coupled with a 6500k color temperature.
That is a lot of clean light, more than double the light output
of their 22w HID lights which produced 950 lumins.
Each light head contains a 50,000 hour
bulb life with its 18-LED array, a micro-peened reflector providing
a very even beam, and only a 1.5 hour recharge time. That is
a major improvement over previous models. The Sunray 2000s can
be either handle operated using the wireless infrared control
on Light & Motion housings, or can be powered via the battery
pod when using them with other manufacturer's housings. In addition,
each light, made from marine grade aluminum, is impact resistant
with solid state construction, and has a 300ft depth rating.
No warm up time is necessary as the Sunray
2000s' have an instant on/off control, wet connect capability
and a wireless infrared control when used with Light & Motion
housings. Never the less, the Sunray 2000 lights are fully compatible
with other manufacturer housings as well. I found each light's
3 separate output settings very useful when filming. For wide-angle
clip captures I used the full power setting, and for close ups,
either the medium or low settings did the job well. For water
with lots of particulate, the low power settings greatly helped
reduce the particulate problems. On all settings, I found the
light spread to be devoid of hot spots and little adjustment
of the light head position was necessary once set. Burn times
are excellent with a full 65 minutes at the high settings up
to 260 minutes using the low output off a charged battery. While
there is a low battery warning, it never came up despite using
the lights for 2 extended dives on a single charge in the very
cold waters of Alaska. This is significant as cold water adversely
affects the life of almost all battery types.
While I did not test the Sunray 1000s
which sell for $2599, these lights feature the same technology
as their big brother, the Sunray 2000s. The 1000s model also
has a 3 position output setting control which the user can adjust
from 1000 lumins at the high setting, 500 at the medium and 250lm
at the low settings with burn rates between 85 and 340 minutes.
The Light & Motion
Sunray 1000s offer the same quality
as the Sunray 2000s for the budget minded underwater videographer.
When I first saw the Light & Motion
Sunray 2000 underwater lights in their proto type stage, I recall
salivating at the thought of getting to use them one day. Now
that I have, my bottom line is that it was well worth the wait.
These were just great to use and their light weight and small
size made packing them less of a chore. With so many professional
film-makers already having gone to LED lights in their studios,
it is no wonder that Light & Motion has led the way for the
underwater videographer. Let there be light!
Steve
Douglas is a certified Apple Pro for Final Cut Pro 6 and
underwater videographer. A winner of the 1999 Pacific Coast Underwater
Film Competition, 2003 IVIE competition, 2004 Los Angeles Underwater
Photographic competition, and the prestigious 2005 International
Beneath the Sea Film Competition, where he also won the Stan
Waterman Award for Excellence in Underwater Videography and 'Diver
of the Year', Steve was a safety diver on the feature film "The
Deep Blue Sea", contributed footage to the Seaworld Park's
Atlantis production, the History channel's MegaDisaster show
and other networks. Steve is one of the founding organizers of
the San Diego UnderSea Film Exhibition and leads both underwater
filming expeditions and African safaris with upcoming excursions
to Indonesia and the Coco Islands, Costa Rica in 2008, Kenyan
safari in Africa and the Red Sea for 2009, and Truk Lagoon in
Micronesia for 2010. Feel free to contact him if you are interested
in joining Steve on any of these exciting trips. www.worldfilmsandtravel.com
copyright © Steve
Douglas 2008
This article first appeared
on www.kenstone.net and
is reprinted here with permission.
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