Review: Inside Final Cut Pro 4 |
September, 2003
Inside
Final Cut Pro 4.0
System Requirements:
Viewable Only
on a Computer
Minimum of 256 MB RAM
Mac: OS X; G4 Processor
DVD Drive
Minimum screen resolution 1024 x 768
DVD
Includes:
Over 7 hours
of video-based lessons
Project Files (to work along with the instructor)
Company: Magnet
Media Films
Price:
$199
lafcpug Price: $84.15
Available for purchase in the
lafcpug Store
Reviewed By: Tony
Donaldson
Ed Note: Magnet Media
Films is a sponsor of lafcpug.org,
however this review and all reviews published on lafcpug.org
are the opinion of the author and author alone and lafcpug.org's
policy is to not edit or influence the author's opinion in any
way, shape or form.
Final Cut Pro 4 is a radical upgrade
from version 3. It has a ton of new features that are very useful
to video and film editors.
The question is, how do you learn all
the new stuff? Sure, you can muddle through the manual, but isn't
it always easier to look over someone's shoulder while they show
and talk you through the new features? Video training for video
production is the way to go for that, unless you have friends
who are already fully adept at FCP 4 and have the time and patience
to teach you. Well I don't have those friends so this DVD is
ideal for me.
Magnet Media has produced some fine titles for this purpose and I've reviewed several in the past. This one, however has a new direction, in that it focuses on people already familiar with FCP who want to learn what's new and how best to take advantage of all that is in FCP 4. They have other titles to get you up to speed if you're a Final Cut virgin,such as "Inside Final Cut Express." and Inside Final Cut Pro 3
This DVD has an easy to use interface,
which only works on a computer, not a conventional DVD player.
It can easily be browsed by chapter and sub-chapter, and the
interface can be minimized easily in case you wish to work on
the included "mockumentary" and want to edit along.
And you will want to edit along. The mockumentary is very funny.
The host is Evan Schectman, a
professional editor and the founder of Outpost
Digital, and he is a very thorough teacher. He keeps your
attention with a steady stream of good information, over
7 hours worth, and it's PACKED. You'll be going back over and
over to rewatch sections, and thankfully the interface makes
this very easy. Actually, if you don't quit the app, and just
"minimize" it, it will start playing again from where
you left off when you click it's icon in the dock.
Inside Final
Cut Pro 4.0
Table of Contents
Lesson 1 - Introduction to Final Cut
Pro 4
· About the Training
· About Final Cut Pro 4
· Workflows with FCP4 - Film Output, Broadcast Output
Lesson 2 - Basic Tour and Layout
· Introduction to the FCP4 Interface
Lesson 3 - Setting up Final Cut Pro
4
· User Settings
· System Settings
· Audio/Video Settings
· About Acquisition Formats and Frame Rates
· Customizing Interface and Keyboard
· Optimizing OSX for FCP4
Lesson 4 - Capturing Media
· Overview of Logging and Capturing
· Importing Media
· Browser Organization
Lesson 5 - Editing in Final Cut Pro
· Introduction to the New Features
· GangSynch/SlipSynch
· Trimming
· Time Remapping
Lesson 6 - Color Correction
· Introduction to Color Correction
· How to Use the Video Scopes
· Solving Poor White Balance
· Altering Chrominance
· Matching Shots (Hue Matching)
· Other Color Correction Techniques
Lesson 7 - Compositing and Animation
· Introduction to Compositing
· Titling in FCP4
· Picture in Picture
· Introduction to LiveType
· 2D Frame Moves
Lesson 8 - Audio
· Audio Mixing in FCP4
· Using the Voice Over Tool
· Introduction to Soundtrack
· Exporting Audio
Lesson 9 - Media Management
· Using the Media Management
Lesson 10 - Output
· Introduction to Professional Outputting
· Outputting for Broadcast
· Outputting for Film
o Introduction to Cinema Tools
· Outputting for DVD/Web
o Introduction to Compressor
Conclusion
|
There's powerful stuff in here: how to
customize the interface, how to optimize your computer for even
better performance with explanations as to why you're doing
what you're doing, and even how to prioritize what your processors
are doing via the Terminal. They show how to easily set up any
configuration to make best use of your various types of screen
real estate including the new customizable buttons in the windows,
remapping the keyboard, and much much more.
The capturing and editing sections nicely
explain how to bring in and work with a variety of formats, along
with solid explanations of each of its various strengths and
weaknesses. It also goes into a great deal of the basics of the
FCP interface, very helpful if you're a recent convert from another
NLE.
The color correction section is fantastic
and Evan explains all aspects very well. He covers how to use
the waveform and vectorscopes, and the other monitors, to help
balance your footage and keep it broadcast-legal if that's your
final delivery goal, as well as how to create a different aesthetic
in post, e.g. film look, aged footage, etc. These tips alone
are worth the price of admission.
The compositing and animation section
not only go through the basics, but covers the new type tools
and time remap tools. There's even an undocumented feature on
time remapping that they, well, document.
The audio editing section takes you into
all the amazing new audio tools available with FCP 4, including
Soundtrack. This of course is an amazing tool what with both
the included loops, and importing your own, and Inside FCP 4
gives us a great tutorial on on how to use it.
The Media management section has many
good tips. Though the interface for the MM hasn't changed much,
it's a good primer for everything from how to make an offline
RT version of your project for editing on the road, to how to
not destroy your project and related files with the Media Manager.
The Workflow for Output section also
has great tips on archiving both your footage and your final
projects and what to save when you backup a project, and more.
My DVD had a couple of glitches, one
section wouldn't play, and at times playback on normal segments
would run out of sync with the video. Pausing and starting playback
again cured it, and my copy might have been a pre-production
DVD, though it was fully packaged.
Overall, if you want to be really productive
editing in FCP 4, this DVD is well worth the money, even at $199.
The time you save with this DVD as opposed to spending all that
time with the manual or bugging your friends for help makes this
DVD a bargain in my book.
copyright©2003 Tony
Donalson
Available for purchase in the
lafcpug Store
For another opinion read the review by
FCP User Craig Musni
About Tony
Donaldson: Tony is a sports photographer (still photography,
mostly extreme sports) with clients including Xtreme Video (new
magazine from the makers of DV), Sports Illustrated, Sports Illustrated
for Kids, ESPN the Magazine, Millimeter, Video Systems, Cobra
Seats, Lee Jeans, Maxxis Tires and many more. He also shoots,
edits and produces video projects from commercials to short films
(Odessa or Bust, The Cypher, Dissonance) to the Redline Bicycles
Team video to a new video-based photography training series and
a television wine show pilot. He lives and works in the Los Angeles
area and spends way too much time online learning all of Ken
Stone's secrets .
http://www.tdphoto.com
http://www.tdfilms.com