Review: Final Cut
Pro 5 for Mac OS X: Visual QuickPro Guide |
September, 2005
Review -
Final Cut Pro 5 - Apple Pro Training Series
By Diana Weynand
640 pages - $44.99
Lafcpug price - $32.99
http://www.peachpit.com
Review by Steve
Douglas
This book, addressed to the beginner through
advanced user, is typical of all the Apple Pro training series.
It is of the highest quality in its preparation for the Final
Cut editor to jump into the ocean of Pro 5 possibilities. If
one chose to become certified as an Apple Final Cut Pro expert,
this is the text that would be used in the official curriculum
program at an Apple Authorized Training Center. As is the case
with all the Apple Pro Training Series books, Peachpit Press
has not scrimped on the quality of the paper used, or the color
and image reproductions found within. Each of the several hundred,
if not thousands of graphics and illustrations seem to pop out
at you with their brightness making their usage both easy and
a pleasure. Squinting to see just what the graphic is representing
is unnecessary as all are clear and precise in their representations.
Having written the Final Cut Pro HD tome, Diana Weynand, it seems,
decided not to simply update that to the version 5 book, but
took a different route. Though much of the text is the same,
Ms. Weynand chose to use wholly different media to illustrate
the many projects that lead the reader and demonstrate, not just
the inner workings of this fine application but also, the many
new features to be found in Final Cut Pro 5.
While this book, like all I have read
coming from Peachpit Press, is fairly self-pacing from individual
project to project, I found myself jumping around from one chapter
to another trying out different techniques and methods to do
this and that. Instructions are clear and sequential and the
media supplied on a DVD disc accompanying the book is of excellent
quality. The media on the disc is sizeable coming in at 7.76
GB and is divided into 16 separate lessons which draw from another
media folder containing subfolders for render files, music video,
graphics, exports and video footage which was very professionally
shot. In order to complete the projects along with the book you
must first copy over the disc's contents onto your hard drive.
It didn't take long and presented no problems. Found at the end
of each chapter is a brief and useful quiz. This serves as a
wonderful way to review and summarize what has been covered in
that chapter before moving on to more demanding tasks. I like
this feature in that it provides a confirmation to the user of
what they have learned. For each question, answers are supplied
of course so ...... no peeking.
I did compare the two indexes between
the FCP 5 and FCP HD books and found some differences in the
number of headings under each chapter and how they were labeled.
Most of that was often nothing more than semantics. Thus, I admit
that I am mildly confused at the new text coming in with roughly
200 fewer pages. Unless I compare each of the two books page-by-page,
project-by-project, I simply cannot explain such a large difference,
an X-Files conundrum.
There really is no narrative in Final
Cut Pro 5. It is first and foremost an instructive book designed
at familiarizing the FCP user with its functions through the
use of the different video and audio applications found on the
disc. This serves several purposes in that with the gradually
increasing complexity of the tasks set forth to the reader, increased
familiarity breeds increased knowledge and confidence. While
there is no book that I can think of that will improve the creative
aptitude of an individual, the more you know, the more creative
tools you have at your disposal and, thus, the sooner you will
be able to achieve your artistic vision.
There is no question that Diana Weynand
and Peachpit Press have succeeded at presenting Apple's Final
Cut Pro 5 in a manner conducive to sequential learning. If you
already have the Final Cut HD volume you will find that coverage
of new features as well as completely different media makes it
a worthy purchase. If you are just starting out with FCP than
this book provides you with a great way to learn.
Steve Douglas,
is an underwater videographer and contributor to numerous film
festivals around the world. A winner of the 1999 Pacific Coast
Underwater Film Competition, 2003 IVIE competition, 2004 Los
Angeles Underwater Photographic competition, and the prestigious
2005 International Beneath the Sea Film Competition, Steve has
also worked on the feature film "The Deep Blue Sea",
contributed footage to the Seaworld parks for their Atlantis
production, and is one of the principal organizers of the San
Diego UnderSea Film Exhibition. Steve leads both underwater filming
expeditions and African safaris with upcoming filming excursions
to Kenya, Bali and the Red Sea. Feel free to contact him if you
are interested in joining Steve on any of these trips. www.worldfilmsandtravel.com
copyright © Steve Douglas 2005
This article first
appeared on www.kenstone.net and is reprinted here
with permission.
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