Review: Review -
Artbeats - HD Water Effects 1
|
November, 2005
Review -
Artbeats - HD Water Effects 1
http://www.artbeats.com
$799.00
Review by Steve
Douglas
Lets face it, HD and HDV is here to stay
and pretty soon the used equipment market for mini dv camcorders
will be flooded with equipment for sale from those who will earnestly
try to upgrade to the newer and better quality formats. As we
have seen with the various editing NLEs which have upgraded their
own software to HD and HDV compatibility so we will see third
party plug ins as well as animations gearing up for this next
generation of editing quality.
Already well known for their NTSC-720
X 486 footage and animations, Artbeats has amassed a sizeable
number of HD footage collections as well which can be purchased
either as individual clips or as entire collections. PAL versions
are also offered for those not in the U.S.A. The standard definition
collection of the same clips found within the HD Water Effects
1 package plus an additional 8 clips retails for $399.00 for
the whole collection. However, you may buy individual SD clips
from the collection for $149.00 a piece so as to better suit
your needs and your wallet.
"Surface Water" |
"Foamed Out" |
All of the Artbeats High Definition libraries
are provided at the full HD uncompressed 1920 X 1080 and generally
average between 10 and 15 clips per collection. The Water Effects
1 collection consists of 12 separate HD clips with the shortest
lasting approximately 9.29 seconds and the longest clocking in
at 23.27 seconds. Included in each disc; there are two discs
with the Water Effects 1 collection, are thumbnails of every
animation which range from 1.6 to 17.6 Mbs. Having these makes
it easier to preview the animation you are looking for as the
full versions vary from 175.2 to 857.4 Mbs. Once a decision is
made you will want to copy the animation to your hard drive before
importing into your NLE. As with the SD collection, individual
HD clips may be purchased for $300 per clip. It seems perfectly
logical that buying the entire collection is the more prudent
way to go. It is always better to get more bang for the buck.
"Surfing the Wave"" |
"Droplet in the Bucket" |
Importing was a piece of cake. Once you
have set your Final Cut Pro sequence settings to handle HD or
HDV, I set mine for 1080i/60, Final Cut Pro will automatically
treat the Artbeats progressive footage as interlaced. This is
similar to using Artbeats standard definition collections which
are also progressive clips in an NTSC composition. Each clip,
once imported does need to be rendered though with my Dual 2GHz
G5, 2 gigs ram, it didn't take long. Additional graphics, text,
filters or transitions will naturally slow up the process.
Artbeats advertises with the moniker
"Footage You Can Use" and they certainly do live up
to that. Each clip has a beautiful clarity and resolution. I
have seen and used many of the Artbeats SD footage before and
always appreciated their high quality. Using the new HD versions
takes it to an entire new level. While there are some trade offs
inherent within the HDV format, I found no difficulties in matching
the uncompressed HD Water Effects with footage shot on a Sony
HDR-FX1.
"Footage YOU Can Use"
I have been witness to so many discussions
regarding HDV and HD and have heard the many concerns regarding
both. The bottom line is that, finally, using such high quality
equipment is now within a reasonable financial reach of the many
who previously have not had the budget to afford it. The availability
of the Artbeats HD footage goes a long way towards supplying
the frequently necessary supplements to any future HD or HDVproductions.
Steve Douglas,
is an underwater videographer and contributor to numerous film
festivals around the world. A winner of the 1999 Pacific Coast
Underwater Film Competition, 2003 IVIE competition, 2004 Los
Angeles Underwater Photographic competition, and the prestigious
2005 International Beneath the Sea Film Competition, Steve has
also worked on the feature film "The Deep Blue Sea",
contributed footage to the Seaworld parks for their Atlantis
production, and is one of the principal organizers of the San
Diego UnderSea Film Exhibition. Steve leads both underwater filming
expeditions and African safaris with upcoming filming excursions
to Kenya, Bali and the Red Sea. Feel free to contact him if you
are interested in joining Steve on any of these trips. www.worldfilmsandtravel.com
copyright © Steve
Douglas 2005
This article first
appeared on www.kenstone.net and is reprinted here
with permission.
All screen captures and
textual references are the property and trademark of their creators/owners/publishers.